PUBLICATIONS
Simon Pierse
'Australian Art in England', in Rex Butler and Sheridan Palmer (eds), Antipodean Perspective: Selected Writings of Bernard Smith, (Clayton VIC: Monash University Publishing, 2018), pp.266-286.
Simon Pierse
'Alannah Coleman: 1970- A Year at Bonython's Sydney Gallery' in emaj (e-Melbourne Art Journal), Issue 10, (March 2018)
ISSN 1835-6656.
Simon Pierse
'Kangchenjunga, mountain and memory', in Nilay Chakraborty (ed.), Himalayan Club, 90th anniversary publication, 2018, pp.52-56 + 5 colour ills.
Simon Pierse
'Transferences', in Rebecca Daniels, Paula Dredge, Shaun Gladwell, Kate McMillan, Barry Pearce and Bill Shaffer, Transferences: Sidney Nolan in Britain. Chichester, UK: Pallant House Gallery in assocation with the Sidney Nolan Trust, 2017, pp. 33-50. ISBN: 978-1-869827-87-8.
Simon Pierse
'Peter Fuller, the Celtic midwife and some [other] Northern critics of Southern art' in Jaynie Anderson, Christopher R. Marshall and Andrew Yip (eds.), The Legacies of Bernard Smith : Essays on Australian art, history and cultural politics, Sydney: Power Publications, July 2016, pp. 165-177, ISBN 9780994306432.
Simon Pierse
'A Surrogate Touch: Dick's Book of Photos', in Graeme Farnell (ed.), The Photograph and the Collection, Edinburgh & Boston: Museums Etc.,
ISBN 978-1-907697-85-2.
Simon Pierse
'A surrogate touch: Dick's Book of Photos', in Colin Cruise (ed.), Keith Vaughan, Figure and Ground, Bristol: Sansom & Co., July 2013, pp. 16-33, ISBN 978-1-908326-33-1.
Simon Pierse
Australian Art and Artists in London,1950-1965: an Antipodean Summer
Ashgate Press, 2012, 310pp + 80 illustrations,
ISBN 978-1-4094-2054-2054-5 (hardback).
(Click on image for link to Routledge's website, further details and on-line ordering)
Simon Pierse
'Australian artists in London: the early 1960s', in Carl Bridge, Robert Crawford and David Dunstan (eds.), Australians in Britain: the Twentieth Century Experience, Melbourne: Monash University Press, September 2009, ISBN 978-0-9804648-6-3.
Simon Pierse
‘Bryan Robertson, abstract expressionism and late Modernism in Recent Australian Painting, 1961’, in Robert Dixon and Veronica Kelly (eds.), Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s, Sydney: Sydney University Press, 2008, ISBN 978 1920898892.
Simon Pierse
‘Sir Kenneth Clark: Deus Ex Machina of Australian art’, in Melbourne Art Journal, Melbourne: Fine Arts Network, Vols. 11-12, (2009), pp. 104-119, 1SSN 1329-9441.
Simon Pierse
'Out of thin air', in Stephen Goodwin (ed.), The Alpine Journal, Vol. 114, No. 358, (2009), pp.119-206,
ISBN 978-0-948153-94-5.
Simon Pierse
‘Revisiting the Tate's 1963 survey of Australian painting', in Art and Australia, Vol. 47, No. 1, Spring 2009, pp.118–125, ISSN 0004-301 X.
Simon Pierse
‘Recent Australian Painting (1961): a jardin exotique for London’s East End?’ in Australian Studies, Vol. 20, Nos. 1 & 2, (Spring 2007), pp.319-338, ISSN 0954-0954.
Simon Pierse
‘Recent Australian Painting: Australian Artists in London in 1961’ in Art and Australia, Vol. 42, No. 2, Summer 2004, pp.226-235, ISSN 0004-301 X.
Simon Pierse
‘Painting the Rock: Images of Uluru by Michael Andrews and Lloyd Rees’ in Australian Studies, Vol. 17, No. 1 (2004), pp.167-188 + 2 B&W plates, ISSN 0954-0954.
Simon Pierse
‘Peeling off the Skin: Antony Gormley's Inside Australia’, in Art on the Line, 2004/1 (5), Western Academic and Specialist Press (2004), pp.10, ISSN 1478-6818.
Simon Pierse
‘Painting the Edge: Sidney Nolan in Wales’, in Planet, the Welsh Internationalist. (158), April/May 2003, pp.43-48, ISSN 0048-4288.
